Thursday, March 29, 2012

Nikon 8291 16-48x65mm EDG Angled Body Fieldscope with Eyepiece review


Are you looking for Nikon 8291 16-48x65mm EDG Angled Body Fieldscope with Eyepiece ? you comes at the right place because we provide some information about it. You can get special discount for Nikon 8291 16-48x65mm EDG Angled Body Fieldscope with Eyepiece.You can choose to buy a product and Nikon 8291 16-48x65mm EDG Angled Body Fieldscope with Eyepiece at the Best Price Online with Secure Transaction Here...





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Nikon is proud presenting EDG, a fieldscope for those whose adventurous spirit and dedication to success demandsperformance above all else. The most dynamic and advanced fieldscope in the company’s history, EDG (pronounced “edge” was engineered using Nikon’s latest innovative technology, but refined by nearly a century of glass-making heritage. The same incredible, high-resolution performance from the EDG Fieldscope has been provided inside the remarkable EDG Fieldscope line. Some with the features inside the new EDG Fieldscope line include the same exclusive ED glass lenses and dielectric high reflective multilayer prism coatings as his or her Fieldscope counterparts, delivering extraordinarily high contrast images in a very sleek Fieldscope body.

The EDG Fieldscope line’s proven Nikon ED (Extra-low Dispersion) glass means sharp, clean edge-to-edge clarity and resolution while the fully multicoated lenses guarantee premium brightness.

Larger, 85mm and 65mm lenses allow for the wider field of view—and both models come complete having an EDG zoom eyepiece, and therefore are compatible with a new group of interchangeable EDG fixed power eyepieces for custom viewing. The EDG Fieldscope line is available in a angled or straight body to accommodate any expedition.

“By incorporating many of Nikon’s new technologies the new EDG line of Fieldscopes gives hunters the absolute most suitable choice for long range viewing,” said Jon LaCorte Senior Product Marketing Manager. “Combine among these Fieldscopes with an EDG Fieldscope and you're ready for almost any hunt on any continent.”

The new king of full-sized Nikon Fieldscopes, the pro-level EDG 85mm provides the ultimate in optical performance thanks to Nikon’s exclusive optical design with ED lenses. A rugged waterproof, fogproof new body design allows users to consider this new Fieldscope around the most demanding hunts within the world.

Supreme ruggedness plus a substantial objective lens result in the 65mm EDG Fieldscope an ideal choice when counting every ounce in a pack, but still have to see every detail around the hunt which has been planned for years. The new EDG won’t disappoint, delivering extraordinarily bright, high-resolution views and truly remarkable low-light performance. All waterproof and fogproof in the stylish, lightweight new body design.

Nikon EDG Key Highlights

Pushing the Limits of Optical Perfection The EDG Fieldscope harnesses the optical superiority of Nikon’s legendary and dear ED (Extra-low Dispersion) glass to push the limits of optical perfection. Coveted by the world’s greatest photographers is Nikon’s legendary Nikkor lenses, this exclusive glass was developed to eliminate chromatic aberration occurring when light rays of varying wavelengths pass through optical glass. Nikon EDG Fieldscopes offer the identical results to the world’s most serious optics users--high contrast, high resolution images which can be razor sharp and clear of flare. Enhanced



Enhanced Resolution with Phase-Correction Coated Roof Prisms. Nikon’s EDG optical system incorporates phase-correction coated roof prisms to boost resolution, too as dielectric coated sub-prisms to optimize light transmission. Interacting with fully multicoated lenses and ED glass, the high-grade prisms deliver extremely bright, clear, vivid images over the periphery of the viewing field.
A Rugged, Durable Fieldscope The Nikon EDG Fieldscope was made having a rugged waterproof, fogproof body design which allows users to look at this new Fieldscope around the most demanding hunts within the world
Nikon EDG Additional Highlights

Long Eye Relief Eyepieces In all models the Nikon EDG features long eye relief for optimum view with or without eyewear.

Fixed Power Eyepieces The EDG Fieldscopes are compatible having a new group of interchangeable EDG fixed power eyepieces for custom viewing.

Warranty Information
Nikon is dedicated to quality, performance and total customer satisfaction. In case your Nikon Fieldscope, Spotting Scope or Fieldscope requires service or repair not covered by our 25 Year Limited Warranty, Nikon will repair or change it out (even it was your fault) for $10, plus return shipping and handling.

Excludes – StabilEyes, Laser Rangefinders and Spotting Scope/Fieldscope eyepieces.

FAQ’s

Real field of view

Real field of view could be the angle in the visible field, seen without moving the Fieldscopes, measured in the central point from the objective lens. The larger the worthiness is, the wider the viewfield available. For example, Fieldscopes with a wider field of view are advantageous for locating fast-moving wild birds from the viewfield. This applies to find small nebulas or even a cluster of stars in astronomical observations.
Apparent field of view

Apparent field of view is the angle in the magnified field once you examine Fieldscopes.
The larger the apparent field of view is, the wider the joy of view you is able to see even at high magnifications.

With the traditional method used previously, the apparent field of view was calculated by multiplying the true field of view through the Fieldscope magnification. (With this formula, apparent field of view wider than 65˚ is named wide field of view.)
Relative brightness

Relative brightness value is obtained by squaring the diameter from the exit pupil. The greater the relative brightness is, the brighter the look will be. With 8x42 Fieldscopes, the brightness is (42÷8)2= 28.1. This means that if the magnification will be the same, the bigger the effective diameter from the objective lens, the brighter the style will be.

Do Fieldscopes while using same exit pupil offer the identical brightness?

No. Brightness can vary even if the exit pupil is the same. This is for the reason that amount of sunshine reaching the viewer's eyes varies according for the quantity of lens elements superiority lens/prism coatings. Superior optical design and quality coating greatly contribute on the brightness of Fieldscopes. Brightness values specified by product brochures, etc. are theoretical ones calculated within the design process. Please note these factors when comparing actual brightness values.

Prism Coatings

Multilayer coating can also be put on prisms to raise transmittance. A roof prism system has one surface that does not feature total internal reflection, so vapor deposition with metals, etc. have to be used to boost the reflectivity with this surface. Also, phase-correction coating on roof surface ensures high-contrast images.

* Fieldscopes' brightness and contrast are suffering from not only prism coatings, but in addition the number of objective lens and eyepiece lens, and kinds of coatings.

Metal-vaporized, high-reflectivity prism coating

Using vacuum-vaporization technology, metallic material for example aluminum or silver is applied towards the reverse side of an prism surface that just isn't totally reflective. This raises the reflectivity from the prism mirror surface.

Dielectric high-reflective multilayer prism coating

This coating features reflectance that exceeds 99%. By utilizing light interference, this coating assures high reflectivity through the full visible range, and ensures high color reproducibility.
Reflectance characteristics of prism coatings on mirror surface

The horizontal axis indicates the wavelength of light. The vertical axis indicates the reflectance of light. Binoculars' brightness is determined not only from the reflective mirror, but also through the total optical system like the variety of lenses and excellence of coatings.
Phase-correction coating

A roof (Dach) surface can cause phase shift of light that affects image resolution. This phenomenon is caused by phase differences arising from total light reflection over a roof (Dach) surface and yes it can happen with even a perfectly processed prism. Phase-correction coating is used towards the surface to lower lack of resolution, ensuring high-contrast images.
Chromatic Aberration
• Photos are simulated viewfinder images. This is caused by the difference in light wavelength. The focus or magnification of your lens varies according for the wavelength of each form of incident light. Therefore, if you have a peek at an image through a lens with chromatic aberration, color fringing may occur. Because just one lens cannot compensate for chromatic aberration, two lenses of different optical characteristics are combined to improve this aberration. Nikon's original ED (Extra-low-Dispersion) glass lenses effectively compensate for color fringing.
ED glass and secondary spectrum
Visible light is composed of lights of various wavelengths. Gathering up all of those lights to your point is perfect for objective lenses.
With a single lens, because light is bent inside in an identical way as which has a prism, the focal lengths of lights with assorted wavelengths vary. As a result, don't assume all light rays reach the identical point, which causes chromatic aberration.
An achromatic lens made out of conventional glass materials can match focal lengths of two different wavelengths. For red and blue colors, for example, that have both ends in the wavelengths of visible light, chromatic aberration could be reduced to your certain extent by conforming their focal lengths. However, with additional detailed examination, because light with other wavelengths including green has different focal lengths, residual chromatic aberration results. This residual chromatic aberration is called secondary spectrum.
Combinations of conventional glasses cannot solve this secondary spectrum problem, but particular optical materials which have a very unique characteristic of dispersion are needed.
ED (Extra-low Dispersion) glass has this excellent characteristic then when combined with other glasses, minimizes the results from the secondary spectrum. Comparing to achromatic lenses, ED glass reduces chromatic aberration to some remarkable degree.

Twilight Factor

The factor which has the best impact on resolution or image detail, is gonna be dependent upon the amount of light available during the time of observation. During daylight hours, when your eye pupil size is planning to be just about 2 to 3mm, magnification will be the principal factor in image resolution. At night, while using eye pupil dilated to 6 to 8mm, aperture size will be the controlling factor. In twilight conditions both of those factors control resolution effectiveness along with the twilight factor could be the term that compares binocular performance under these conditions.

The twilight factor is calculated by utilizing the square root from the product in the magnification and the aperture. The higher the twilight factor, the better the resolution with the binocular when observing under dim light conditions. For example, a 10 X 40 (twilight factor 20) would effectively resolve better under these conditions than the usual 7 X 35 (twilight factor 15.4) even though the 10 X 40 features a smaller exit pupil. Remember, however, that this twilight factor does require into consideration the transmittance or quality of the optical system.

The incredible, high-resolution performance in the EDG binocular has become available inside a remarkable new EDG Fieldscope line. Some from the features inside the new EDG Fieldscope line include a similar exclusive ED glass lenses and dielectric high reflective multilayer prism coatings as his or her binocular counterparts, delivering extraordinarily high contrast images in the sleek Fieldscope body. The EDG Fieldscope line's proven Nikon ED (Extra-low Dispersion) glass means sharp, clean edge-to-edge clarity and resolution while the fully multicoated lenses guarantee premium brightness. Larger, 85mm and 65mm lenses allow for the wider field of view—and both models come complete with an EDG zoom eyepiece, and therefore are compatible with a new number of interchangeable EDG fixed power eyepieces for custom viewing. The EDG Fieldscope line can be acquired in a angled or straight body to suit any expedition. "By incorporating a lot of Nikon's new technologies the newest EDG distinctive line of Fieldscopes gives hunters the absolute best option for long range viewing," said Jon LaCorte Senior Product Marketing Manager. "Combine among these Fieldscopes by having an EDG binocular and you are ready for just about any hunt on any continent."



Legendary ED (Extra-low Dispersion) Glass Lenses. Deliver the superior sharpness and color correction for unmatched detail resolution
High Grade Optics and Multicoating Technology. Carefully cut and polished glass is coated in multiple layers of anti-reflective compounds for bright resolution brilliant color and uncompromised low-light performance
Eyepieces with Eye Box Technology. From zoom to wide angle, to long eye relief, there are seven different eyepieces to customize your viewing. EDG Fieldscopes are packaged with the zoom eyepiece.
Advanced Apochromat. Even, superior chromatic aberration compensation system
Waterproof/Fogproof. O-ring sealed and dry nitrogen filled to handle the toughest conditions (up to 10minutes submersed at 16.4 ft)


Nikon 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens


Are you looking for Nikon 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens ? you comes at the right place because we provide some information about it. You can get special discount for Nikon 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens.You can choose to buy a product and Nikon 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens at the Best Price Online with Secure Transaction Here...





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The Nikon Total Digital SLR Imaging System includes world-renowned optical quality from Nikkor lenses. Ongoing research and growth and development of Nikkor lenses allows Nikon to continuously provide Nikon digital SLR photographers with additional choices and even greater optical performance.
Nikon is content to add towards the lineup the modern AF-S DX-Nikkor 18-55mm f3.5-5.6G VR, a lens featuring a built-in Silent Wave Motor and Vibration Reduction (VR). The AF-S DX-Nikkor 18- 55mm f3.5-5.6G VR is definitely an affordable, and compact, 3x zoom lens with amazing versatility. This new lens provides enhanced shooting flexibility since the latest addition on the Nikon DX-Nikkor lens lineup.

Feature and Performance Highlights

3x zoom lens covering probably the most frequently used focal selection of 18 to 55mm (picture angle is equal to focal length from 27 to 82.5mm in Nikon FX or 35mm format)
Vibration Reduction enables sharper pictures while shooting at shutter speeds around three stops slower than would otherwise be possible (as determined by Nikon performance tests)
Optical design, optimized for use with Nikon digital SLRs for superior performance
Hybrid aspherical lens element minimizes various kinds of lens aberration
High-performance Nikon Super Integrated Coating offers superior color reproduction while substantially reducing ghosting and flare
Nikon's exclusive Silent Wave Motor ensures fast, quiet autofocus operation
Rounded seven-blade diaphragm opening makes out-of-focus elements appear more natural
0.28 meter/0.9 foot closest focusing distance throughout the entire zoom range
Accepts 52mm filter attachments
Comfortable lens barrel features rugged construction; separate zoom and focusing rings provide the smooth operation desirable to professionals
What's within the box:
Nikon 18-55mm f3.5-5.6G AF-S DX VR Nikkor Zoom lens, LC-52 front lens cap, rear lens protector
Nikon 18-55MM F3.5-5.6G DX VR (2176)



18-55mm lens with f3.5-5.6 maximum aperture for Nikon DSLR cameras
Focal length equivalent to 27 to 82.5mm in 35mm photography
Features a Silent Wave Motor and and Vibration Reduction (VR)
0.28 meter/0.9 foot closest focusing distance throughout the entire zoom range


Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR review


Are you looking for Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR ? you comes at the right place because we provide some information about it. You can get special discount for Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR.You can choose to buy a product and Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR at the Best Price Online with Secure Transaction Here...





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This upgraded standard contact lens for FX-format D-SLR cameras is perfect for landscapes, portraits, weddings and distant subjects offering a consistent maximum aperture to maintain exposure settings through the entire zoom range, VR II image stabilization for shooting stills in low light and recording video clips and Nano Crystal Coat.

Nikon AF-S Nikkor 24-120mm f/4G ED VR Lens Highlights
Sample image taken with the Nikkor 24-120mm f/4G ED VR lens.
Compact and versatile 5x standard contact with f/4 maximum aperture
Perfect for landscapes, portraits, weddings and distant subjects offering a continuing maximum aperture to maintain exposure settings through the entire entire zoom range and VR II Image Stabilization.

Extended range on Nikon DX-format D-SLR cameras
Angle of view is equivalent to your focal amount of 36-180mm in FX/35mm format.

Nikon VR II (Vibration Reduction) Image Stabilization
Vibration Reduction, engineered specifically per VR NIKKOR lens, enables handheld shooting at around 4 shutter speeds slower than would certainly be possible, assuring dramatically sharper still images and video capture.

Nano Crystal Coat
Further reduces ghosting and interior flare across a broad array of wavelengths for even greater image clarity.

2 Extra-low Dispersion (ED) Elements
Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even in the widest aperture setting.

3 Aspherical Lens Elements
Aspherical lens elements virtually eliminate coma as well as other kinds of aberration, even when shooting in the widest available aperture.

Additional Features

M/A Focus Mode Switch
Enables quick changes between manual and autofocus operation.
Internal Focus (IF)
Provides fast and quiet autofocus without changing the length with the lens, retaining working distance throughout the focus range.
Exclusive Nikon Silent Wave Motor (SWM)
Enables fast, accurate and quiet autofocus.
Nikon Super Integrated Coating (SIC)
Enhances light transmission efficiency while offering superior color consistency and reduced flare.
Rounded 9-Blade Diaphragm
Renders natural appearance of out-of-focus image areas.

While the AF-S NIKKOR 24-120mm f/4G ED VR zoom Lens from Nikon is designed primarily to use with FX-format D-SLR cameras, it's equally in your personal home on any DX-format D-SLR camera. As a regular 5.0x zoom on an FX-format camera body, it's perfect for landscapes, portraits, and weddings - it's an excellent option for an ideal take-along-everywhere lens. Over a DX-format camera, the focal length gets a 1.5x bump that turns it in a formidable longer-range optic with enough wide angle for all though the widest of shots.



Compact and versatile 5x standard zoom lens with f/4 maximum aperture
Extended range on Nikon DX-format D-SLR cameras
Nikon VR II (Vibration Reduction) Image Stabilization
Nano Crystal Coat
2 Extra-low Dispersion (ED) Elements; 3 Aspherical Lens Elements


Wednesday, March 28, 2012

Pro Digital Hard Lens Hood For D3X, D3, D2Xs, D2Hs, D2X, D2H, The Nikon D3, D40, D40X, D50, D60, D70, D80, D90, D100, D200, D300, D700 Digital SLR Cameras Which May Have any Of These (18-135mm, 18-105mm, 18-70mm, 16-85mm) Nikon Lenses


Are you looking for Pro Digital Hard Lens Hood For D3X, D3, D2Xs, D2Hs, D2X, D2H, The Nikon D3, D40, D40X, D50, D60, D70, D80, D90, D100, D200, D300, D700 Digital SLR Cameras That Have any Of These (18-135mm, 18-105mm, 18-70mm, 16-85mm) Nikon Lenses ? you comes at the right place because we provide some information about it. You can get special discount for Pro Digital Hard Lens Hood For D3X, D3, D2Xs, D2Hs, D2X, D2H, The Nikon D3, D40, D40X, D50, D60, D70, D80, D90, D100, D200, D300, D700 Digital SLR Cameras which Have Any One These (18-135mm, 18-105mm, 18-70mm, 16-85mm) Nikon Lenses.You can choose to buy a product and Pro Digital Hard Lens Hood For D3X, D3, D2Xs, D2Hs, D2X, D2H, The Nikon D3, D40, D40X, D50, D60, D70, D80, D90, D100, D200, D300, D700 Digital SLR Cameras which Have Some Of These (18-135mm, 18-105mm, 18-70mm, 16-85mm) Nikon Lenses at the Best Price Online with Secure Transaction Here...





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The Lens Hood is a of the most important accessory you will need per lens you own.A lens hood provides multiple functions: preventing image-degrading lens flare by blocking stray light from striking the counter from the lens, it enables your lens to provide you with the sharpest photographs with the best contrast and a serious few vivid colors, in inclement weather, it can assist to keep moisture or wind-blown debris over lens; and yes it protects the front barrel in the inevitable impacts against walls, door frames, and also other real-life obstacles.



<#1> Pro Digital Hard Lens Hood With Rear Locking Ring
<#2> DB ROTH Micro Fiber Cleaning Cloth
Adapter Tube Included If Needed


Nikon 16-85mm f/3.5-5.6G ED VR AF-S Mack 7 Year Warranty For Lenses Under $1000 + Nwv Direct Micro Fiber Cleaning Cloth. (Window Of Purchase, 30 Days From Purchase Date Of Product, eg, When the lens was purchased on January 1, 2009, You must purchase this warranty before February 1, 2009) -Mack Camera Since 1929- review


Are you looking for Nikon 16-85mm f/3.5-5.6G ED VR AF-S Mack 7 Year Warranty For Lenses Under $1000 + Nwv Direct Micro Fiber Cleaning Cloth. (Window Of Purchase, 1 Month From Purchase Date Of Product, eg, If the lens was purchased on January 1, 2009, You must purchase this warranty before February 1, 2009) -Mack Camera Since 1929- ? you comes at the right place because we provide some information about it. You can get special discount for Nikon 16-85mm f/3.5-5.6G ED VR AF-S Mack 7 Year Warranty For Lenses Under $1000 + Nwv Direct Micro Fiber Cleaning Cloth. (Window Of Purchase, 1 Month From Purchase Date Of Product, eg, If your lens was purchased on January 1, 2009, You must purchase this warranty before February 1, 2009) -Mack Camera Since 1929-.You can choose to buy a product and Nikon 16-85mm f/3.5-5.6G ED VR AF-S Mack 7 Year Warranty For Lenses Under $1000 + Nwv Direct Micro Fiber Cleaning Cloth. (Window Of Purchase, 1 Month From Purchase Date Of Product, eg, If your lens was purchased on January 1, 2009, You must purchase this warranty before February 1, 2009) -Mack Camera Since 1929- at the Best Price Online with Secure Transaction Here...





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The 35mm lens registered below is sure to operate according to manufacturer's specifications for the duration of 7 years from date of purchase or we shall repair same to operate properly. This service contract have to be purchased within thirty days from the date the apparatus hereunder is purchased. You must register this warranty within thirty (30) days by going to us online or by calling us toll free. In the big event until this equipment requires any repair or service you need to visit us for the web and arrange for service to have a Repair Authorization Number and current shipping charges. If you've got any queries please visit us online or call toll free. The equipment will likely be restored to proper operating condition at no cost to you personally (this includes warranted parts and labor for manufacturer's defects). Such service, repair, adjustment from the products are assured the registered contract holder, provided the equipment hasn't been tampered with, modified, damaged as being a consequence of liquid, sand, grit, impact and physically broken parts. You might transfer ownership with this contract to another person for the $20.00 fee. This limited service contract applies only on the product specified herein. It does not cover lens caps, rear caps, filters and extra accessories or another expenses of consequential damages. Mack Camera & Video Service won't be liable for the loss in revenues or profits, inconvenience, cost of substitute equipment, lack of incidental or consequential damages. If your unit can not be repaired by Mack Camera or even the Manufacturer for manufacturer's defects, replacement will be made while using same or equivalent model based for the contracted unit current market price at our discretion. This service contract is not an insurance plan or possibly a warranty.




Product Features




  • (This Contract May Be Purchased Here Regardless If The Product Was Purchased Elsewhere): Service Contract Starts From Date of Purchase

  • Must Have Manufacturer's Warranty of 90+ Days

  • Manufacturer Responsible For First 90 Days

  • Transferable

  • Service Contract Covers Manufacturer's Defects Only on Registered Equipment





Nikon D4 16.2 MP CMOS FX Digital SLR with Full 1080p HD Video (Body Only)


Are you looking for Nikon D4 16.2 MP CMOS FX Digital SLR with Full 1080p HD Video (Body Only) ? you comes at the right place because we provide some information about it. You can get special discount for Nikon D4 16.2 MP CMOS FX Digital SLR with Full 1080p HD Video (Body Only).You can choose to buy a product and Nikon D4 16.2 MP CMOS FX Digital SLR with Full 1080p HD Video (Body Only) at the Best Price Online with Secure Transaction Here...





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This new flagship D-SLR offers speed and accuracy using a 16.2 MP FX-format CMOS sensor, 10/11 fps continuous shooting, a 91,000-Pixel RGB sensor and Advanced SRS, improved 51 point AF System, ISO expanded to 204,800 and 1080p video at 30p with stereo sound.

Catch moments others miss

Speed and accuracy in total harmony

D4 offers a degree of speed and accuracy that will redefine your notion in the fleeting moment. A carefully selected FX-format 16.2 Megapixel CMOS sensor is combined with Nikon’s powerful EXPEED3 image processor for stunning stills as much as 11 fps. A 91,000-Pixel RGB 3D Color Matrix Metering III sensor partners with Nikon’s Advanced SRS to provide unmatched accuracy in every single frame. Add a faster, more responsive 51-point AF system for the camera that can keep pace with you.
Stunning images every time

Superior quality you anticipate from Nikon

What are speed and accuracy without image quality? Nikon’s FX-format (36.0mm x 23.9mm) CMOS image sensor delivers 16.2 effective megapixels of resolution for exquisite detail. Each of this remarkable sensor’s 7.3-micron pixels is made to collect maximum light to create stunning images and video across D4’s broad ISO array of 100 to 12,800 (expandable right down to 50 and up to 204,800). Expect the highest image quality in bright and dark shooting. Plus, EXPEED3 image processing yields one of the most faithful colors, tones plus a wide dynamic range.
Enhance stories with HD video

Broadcast-quality and outstanding control

When an assignment calls for broadcast-quality video and audio, D4 is ready. Choose from three Multi-area mode Full HD D-Movie (1080p) video formats: FX, DX or perhaps the new 2.7x Crop mode—all at 16:9 aspect ratio. Manual exposure control helps keep your same look from begin to finish. Built-in HDMI lets you view footage on an external monitor or record uncompressed 8-bit 4.2.2 footage directly to an external recording device. Even take 2MP stills simultaneously while filming. Attach the ME-1 Stereo Microphone and record high fidelity audio with minimal camera noise. On-screen audio level indicators and a headphone jack enable you to monitor and adjust audio in 20 incremental steps. D4 takes you from inspiring still to amazing videos with ease.


Complete control and comfort

Designed on an efficient workflow

D4’s remarkable design could be the culmination of photographer feedback and Nikon innovation. Adjust AF and AF Area modes without moving your eye in the viewfinder. Quickly select AF points having a new joystick style sub-selector—positioned for horizontal and vertical shooting. In low-light, all operation buttons and dials are beautifully backlit. Two media card slots offer flexibility and control. Built-in wired LAN and the optional WT-5A Wireless Transmitter enable secure, high-speed file transmission too as remote camera functionality. Simply put, D4 was built to satisfy professional demands.
Expand your opportunities

Nikon imaging system compatibility

Draw for the full potential of D4: world-renowned NIKKOR lenses, the Nikon Creative Lighting System, Speedlights, accessories and software. Each impressive FX and DX lens inside NIKKOR lineup is fully tested to supply sharpness, accuracy and reliability. Bring studio quality lighting to assignments with Nikon Speedlights. Only Nikon offers i-TTL (Intelligent With The Lens) flash control, allowing Nikon Speedlights to get into extensive exposure and metering data from D4 to offer unprecedented degrees of flash precision and performance. Nikon’s professional imaging software, along with a robust type of compatible accessories will enable you to expand your capabilities.


Never miss a deadline

The WT-5A Wireless Transmitter

When the world is waiting, being the first to publish makes all of the difference. Nikon’s powerful new wireless transmitter, WT-5A, attaches directly to D4 to securely and quickly transfer files.

HTTP Mode: You can use the browser on the iPhone® and/or iPad®** to function camera controls or begin Live View shooting, including starting and stopping HD video and more.

Image Transmission Mode: Transmit images to a FTP server or computer two times faster as opposed to Nikon WT-4A.

Operate the D4 via Camera Control Pro 2. From one master camera, simultaneously release up to ten remote D4/WT-5A combinations.

**iPhone® and iPad® are are registered trademarks of Apple Inc.


New 51-point AF system

Nikon’s new advanced AF sensor uses 51 strategically placed AF points for faster focus operation by family interaction just like a net to capture moving subjects or individually for pinpoint accuracy. Each of the 51 selectable AF points delivers fast and accurate AF detection to your low light a higher level -2 EV (ISO 100, 20° C) with every compatible AF NIKKOR lens.
Rich image previewing

D4’s beautiful 3.2-inch, 921,000-dot LCD includes an ambient brightness sensor for optimum visibility and crisp playback, menu adjustment and Live View shooting. Quickly enlarge images and videos approximately 46x for spot focus confirmation—crucial for high-resolution shooting.


Our most rugged body yet

To sustain peak performance inside most demanding environments, D4’s body, exterior and mirror box are comprised of strong yet lightweight magnesium alloy. Thorough measures are come to seal and protect against invasive moisture, dust and electromagnetic interference.
Dual memory slots (CF and XQD)

Dual memory slots (one CF and something XQD) Record two full cards of data, exactly the same still image data on cards for instant backup, RAW on a single card and JPEG on the other or transfer data from card to another. You'll be able to even designate one slot for data-heavy HD video recording.

AF detection around f/8

D4 aligns its 15 cross-type sensors inside center to detect contrast for vertical and horizontal lines with lenses f/5.6 or faster. The five central points and three points on the all within the place ones in the middle line are suitable for f/8.

Multi-Area Full HD D-Movie Video Recording Modes

FX-format renders exquisitely shallow depth of field and wide-angle shooting. DX-format provides a 1.5x crop with the lens focal length, and 1920x1080 Crop format gives a 2.7x angle of view—ideal for extending lens reach when you can’t get close enough.

91,000-pixel RGB 3D Color Matrix Metering III with Advanced SRS

Face detection while using optical viewfinder and detailed scene analysis with all the 91,000-pixel RGB sensor enables superior auto exposure, auto white balance, AF performance and i-TTL flash exposure.

Built-in HDR

Combine two exposures at around 3EV to develop a single image revealing an extremely wide dynamic range though less noise and richer color gradation than within the past before.

Two-axis Virtual Horizon indicator

Determine if your camera is level—horizontally or forward—through the viewfinder or LCD monitor.

New mirror balancer

Minimizes the bounce of the mirror’s down movement, extending viewing some time and allowing added time for AF operation—one reason D4 achieves AF and concentrate tracking even during high-speed continuous shooting.

Intelligent power management

Expect greater operating efficiency thanks to some new, small, high-capacity EN-EL 18 rechargeable Li-ion battery that may deliver as much as approximately 2,600 images* per charge.
*Based on CIPA Standard.

View simultaneous Live View output on external monitors and record uncompressed video via HDMI terminal

Check video recording for the camera’s LCD and external monitor simultaneously; perfect for focus pullers and camera operators. When the highest possible image quality is required, you are able to bypass memory cards and record uncompressed footage directly through the image sensor onto an external recording device.

Time lapse shooting

Set intervals and frame rates as a way to dramatically relay slow-moving activity at dramatic speeds. D4 lets you shoot time-lapse photography with replay rates from 24 to 36,000 times faster than normal and save them as movie files.

Two Live View shooting modes

Photography Live View and Movie Live View modes add flexibility; exposure, white balance, monitor hue, histogram, focus mode, AF area mode and focusing accuracy can be confirmed.

Dedicated Nikon Picture Control button

Quickly access six preset picture control options—Standard, Neutral, Vivid, Monochrome, Landscape and Portrait—and up to nine customizable settings with a single button.

400,000-cycle tested shutter

For the utmost reliability and rigorous performance, D4’s shutter may be tested on fully assembled cameras for 400,000 cycles at extreme continuous burst rates.

Self-diagnostic shutter monitor

Should any shutter variance be detected, D4 automatically corrects and adjusts involving the actual shutter speed and correct shutter speed to sustain precision shutter operation throughout the mechanism’s lifespan.
The FX-format Nikon D4 Digital SLR Camera provides professional photographers using a powerful tool that redefines the boundaries of DSLR versatility, and keep superior image quality and speed performance. The D4 enables not only new opportunities in low-light photography, but also provides photographers with added shutter speed and aperture freedom with a base ISO sensitivity vary from ISO 200 to some remarkable 12,800. The D4 offers speed and accuracy having a 16.2 MP FX-format CMOS sensor, 10 fps continuous shooting, a 91,000-Pixel RGB sensor and Advanced SRS, improved 51-point AF System, and 1080p HD video at 30p with stereo sound.



10/11 frames per second continuous shooting in FX-format for up to 150 frames
Nikon FX- format (35.9 x 24.0mm) CMOS Sensor with 16.2 effective megapixels
Full 1080p HD broadcast quality video
View simultaneous Live View output on external monitors and record uncompressed video via HDMI terminal
Multi-Area Mode Full HD D-Movie: FX, DX (1.5X crop) and New 1920X1080 (2.7X) Crop modes settings


SanDisk 16GB Extreme Pro CF storage device - UDMA 90MB/s 600x (SDCFXP-016G-A91, US Retail Package)


Are you looking for SanDisk 16GB Extreme Pro CF memory card - UDMA 90MB/s 600x (SDCFXP-016G-A91, US Retail Package) ? you comes at the right place because we provide some information about it. You can get special discount for SanDisk 16GB Extreme Pro CF memory card - UDMA 90MB/s 600x (SDCFXP-016G-A91, US Retail Package).You can choose to buy a product and SanDisk 16GB Extreme Pro CF memory - UDMA 90MB/s 600x (SDCFXP-016G-A91, US Retail Package) at the Best Price Online with Secure Transaction Here...





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Now there's a storage device fast enough to help keep up along with your advanced DSLR: The SanDisk Extreme Pro CompactFlash card. With lightning-fast (up to 90 MB/s write) speed, you will end up able to capture more continuous burst shooting-and receive the most beyond your professional digital SLR camera.

SanDisk engineered its Power Core Controller to adopt whatever your camera's buffer can dish out. By distributing image data across the card more rapidly and efficiently, this card delivers professional performance.



READ & WRITE PERFORMANCE: up to 90MB/sec (600x)* for serious performance gains - UDMA 6.
Shock protection and RTV silicone coating added inside for protection against moisture
POWER CORE CONTROLLERTM & ENHANCED SUPER-PARALLEL PROCESSING
TEMPERATURE: tested to perform from -25C to 85C (-13F to 185F)
WARRANTY: Backed by rigorous stress-testing procedures and our limited lifetime warranty


Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras


Are you looking for Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras ? you comes at the right place because we provide some information about it. You can get special discount for Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras.You can choose to buy a product and Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras at the Best Price Online with Secure Transaction Here...





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To meet user demands for any fast EF-S zoom lens, Canon has specially engineered a brand new lens which has a large aperture of f/2.8 for select Canon Digital SLR cameras.* The large circular aperture generates a shallow depth-of-field, creating background blur that draws attention to the photographic subject. The lens construction includes UD and aspherical elements, which deliver impressive image quality through the entire zoom range. Image Stabilizer lens groups shift to pay for camera movement to ensure that the image appears steady for the image plane, ensuring clear, crisp images, even just in dim light. With a Ring-type USM, inner focusing and new AF algorithms, this lens achieves autofocus quickly and quietly, and with full-time mechanical manual focusing, manually adjusting the main objective is possible even just in AF mode.



17-55mm wide-angle zoom lens with f/2.8 maximum aperture for Canon DSLR cameras
AD and aspherical elements deliver impressive image quality through entire zoom range
Image Stabilizer lens groups shift to compensate for image shake even in dim lighting
Large circular aperture produces shallow depth of field; ring-type ultra-sonic monitor (USM)
Measures 3.3 inches in diameter and 4.4 inches long; weighs 22.8 ounces; 1-year warranty
Large circular aperture produces shallow depth of field, ring-type ultra-sonic monitor (USM)
Measures 3.3 inches in diameter and 4.4 inches long, weighs 22.8 ounces; 1-year warranty


72mm Ultraviolet (UV) Multi-Coated Glass Pro 1 Digital Filter


Are you looking for 72mm Ultraviolet (UV) Multi-Coated Glass Pro 1 Digital Filter ? you comes at the right place because we provide some information about it. You can get special discount for 72mm Ultraviolet (UV) Multi-Coated Glass Pro 1 Digital Filter.You can choose to buy a product and 72mm Ultraviolet (UV) Multi-Coated Glass Pro 1 Digital Filter at the Best Price Online with Secure Transaction Here...





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A multi-purpose fine-weather filter Absorbs the ultraviolet rays which regularly makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color at the identical time as monochrome films. Also may serve as apermanent lens protector.



Designed and engineered for Digital SLR Cameras and Lenses to serve as a lens protector and to reduce the adverse effects of ultraviolet light
Digital Multi Coated (DMC) -- Greatly reduces lens flare and ghosting
Black Almite Frame (BAF) -- Black matte finish aluminum frame reduces reflections
Black Rimmed Glass (BRG) -- Reduces light reflection around the filter edge to enhance contrast
Low Profile Frame (LPF) -- Ultra thin frame helps avoid vignetting on wide angle lenses and Knurled Edge Frame (KEF) aids easy attachment and removal


Tuesday, March 27, 2012

Nikon 16x / 20x Wide EDG 65mm / 85mm Fieldscope Eyepiece FEP-20W


Are you looking for Nikon 16x / 20x Wide EDG 65mm / 85mm Fieldscope Eyepiece FEP-20W ? you comes at the right place because we provide some information about it. You can get special discount for Nikon 16x / 20x Wide EDG 65mm / 85mm Fieldscope Eyepiece FEP-20W.You can choose to buy a product and Nikon 16x / 20x Wide EDG 65mm / 85mm Fieldscope Eyepiece FEP-20W at the Best Price Online with Secure Transaction Here...





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Fixed magnification eyepiece to use while using Nikon EDG series Fieldscope models. Gives 16x magnification when used about the EDG 65mm and 20x magnification when used for the EDG 85mm scope. Bayonet mount with lock for fast but secure attachment. Waterproof and fogproof construction. Turn and slide eyecup. *** SPECIFICATIONS: * Fixed magnification eyepiece. * For use using the Nikon EDG series Fieldscope models. * Gives 16x magnification when used around the EDG 65mm scope. * Gives 20x magnification when used about the EDG 85mm scope. * Bayonet mount with lock for fast but secure attachment. * Waterproof and fogproof construction. * Turn and slide eyecup. * Real field of view (EDG 85/EDG 65): 3.3 / 4.1 degrees. * Apparent field of view: 60 degrees. * Field of view at 1000m (EDG 85/EDG 65): 58 / 72m. * Exit pupil (EDG 85/EDG 65): 4.3 / 4.1mm. * Relative brightness (EDG 85/EDG 65): 18.5 / 16.8. * Eye relief (mm): 20.1. * Dimensions (without caps): 59 x 63mm (length x outer diameter). * Weight (without caps): 240 grams. * Compatible with FSB series: Yes.



For use with the Nikon EDG series Fieldscope models.
16x magnification when used on the EDG 65mm scope.
20x magnification when used on the EDG 85mm scope.
Bayonet mount with lock for fast but secure attachment.
Waterproof and fogproof construction.


Canon EF-S 15-85mm f/3.5-5.6 IS USM UD Wide Angle Contact for Canon Digital SLR Cameras review


Are you looking for The versatile focal length, extreme wide angle and stunning image quality of Canon's new EF-S 15-85mm f/3.5-5.6 IS USM lens makes this the ideal multipurpose wide-angle contact lens to the photographer shooting a marriage or exotic vacation. Featuring three aspherical elements the other UD glass element for outstanding image quality, the zoom range of this lens is equivalent to 24-136mm over a full-frame camera. When coupled with Canon's new EOS 7D DSLR, this lens provides moviemakers and videographers with a phenomenal focal range for wide-angle scenic footage and zoomed in telephoto shots. The warranty period is 1 year.
? you comes at the right place because we provide some information about it. You can get special discount for The versatile focal length, extreme wide angle and stunning image quality of Canon's new EF-S 15-85mm f/3.5-5.6 IS USM lens makes this the ideal multipurpose wide-angle contact lens for your photographer shooting being married or exotic vacation. Featuring three aspherical elements the other UD glass element for outstanding image quality, the zoom variety of this lens is equivalent to 24-136mm on a full-frame camera. When coupled with Canon's new EOS 7D DSLR, this lens provides moviemakers and videographers using a phenomenal focal range for wide-angle scenic footage and zoomed in telephoto shots. The warranty period is 1 year.
.You can choose to buy a product and The versatile focal length, extreme wide angle and stunning image quality of Canon's new EF-S 15-85mm f/3.5-5.6 IS USM lens makes this the ideal multipurpose wide-angle zoom lens to the photographer shooting a wedding or exotic vacation. Featuring three aspherical elements and one UD glass element for outstanding image quality, the zoom selection of this lens is equal to 24-136mm over a full-frame camera. When coupled with Canon's new EOS 7D DSLR, this lens provides moviemakers and videographers having a phenomenal focal range for wide-angle scenic footage and zoomed in telephoto shots. The warranty period is 1 year.
at the Best Price Online with Secure Transaction Here...





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The versatile focal length, extreme wide angle and stunning image quality of Canon's new EF-S 15-85mm f/3.5-5.6 IS USM lens makes this the ideal multipurpose wide-angle contact for your photographer shooting a marriage or exotic vacation. Featuring three aspherical elements then one UD glass element for outstanding image quality, the zoom variety of this lens is equal to 24-136mm on the full-frame camera. When coupled with Canon's new EOS 7D DSLR, this lens provides moviemakers and videographers using a phenomenal focal range for wide-angle scenic footage and zoomed in telephoto shots. The warranty period is 1 year.



15-85mm lens with f3.5-f.5.6 aperture; for use with APS-C cameras
35mm equivalent to 24-136mm focal length range
Dedicated image stabilization
Lens construction of 17 elements in 12 groups
Compatible with 72mm filters


Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] review


Are you looking for Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] ? you comes at the right place because we provide some information about it. You can get special discount for Mockingjay (The Final Book of The Hunger Games) [Kindle Edition].You can choose to buy a product and Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] at the Best Price Online with Secure Transaction Here...





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Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for that unrest? Katniss. And what's worse, President Snow has caused it to be clear that no person else is protected either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one in the most brought up books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended as a trilogy. Did it actually end the best way you planned it from your beginning?

A: Very much so. While I didn't know every detail, of course, the arc with the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant throughout the writing process.

Q: We understand you worked on the initial screenplay for any film to become based on The Hunger Games. What will be the biggest difference between writing a novel and writing a screenplay?

A: There were several significant differences. Time, for starters. When you discover yourself adapting a novel in a two-hour movie you can't take everything with you. The story has being condensed to match the brand new form. Then there is the question of how best to take a novel told in the first person and provides tense and transform it right into a satisfying dramatic experience. In the novel, you never leave Katniss for the second and are privy to any any of her thoughts so you need a strategy to dramatize her inner world and to create it easy for other characters to exist beyond her company. Finally, there is the challenge of the simplest way to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A great deal of situations are acceptable on the page that would not be over a screen. But exactly how certain moments are depicted will ultimately be within the director's hands.

Q: Are you currently capable to consider future projects while working on The Hunger Games, or are you immersed within the world you're currently creating so fully that it is too difficult to consider new ideas?

A: We've several seeds of ideas boating inside my head but--given much of my focus remains on The Hunger Games--it is going to be awhile before one fully emerges and that i can begin to develop it.

Q: The Hunger Games is a yearly televised event through which one boy then one girl from each of the twelve districts is made to participate in a very fight-to-the-death on live TV. What do you think the selling point of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an desire for seeing who wins. The contestants are usually unknown, which ensures they are relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I've found very disturbing. There's also the potential for desensitizing the audience, in order that once they see real tragedy playing out on, say, the news, it does not hold the impact it should.

Q: If you were expected to compete inside the Hunger Games, so what can you think your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope can be to have hold of your rapier if there was one available. But reality is I'd probably get of a four in Training.

Q: What can you hope readers can come away with whenever they read The Hunger Games trilogy?

A: Questions about how exactly elements of the books may be relevant in their own lives. And, if they're disturbing, the things they might do about them.

Q: What were some of one's favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but this time it really is for world control. While it is often a clever twist on the original plot, it indicates that there exists less focus for the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life right into a less vibrant Katniss by displaying despair both at those she feels in charge of killing and at her own motives and choices. This is an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels along with the victim of President Snow, who uses Peeta to make an endeavor to control Katniss. Peeta's struggles are very evidenced in the voice, which goes from rage to puzzlement to an unsure resume sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each from the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.





HeavyStar Dedicated Lens Hood for Nikon AF-S DX 16-85G ED VR as Nikon HB-39


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Lens Hood HB-39 for Nikon AF-S DX 16-85mm f/3.5-5.6G ED VR Lens



Replacement for Nikon HB-39 Lens Hood
Compatible with Nikon AF-S DX 16-85mm f/3.5-5.6G ED VR Lens
Prevent unwanted stray light from entering the lens
Using non reflective paint for interior of lens hood
Designed to match the specific focal length of the lens